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"I do not know where he lives," said the bear. "I have travelled by many rivers and I know the mountains, yet I have not seen his lodge. Farther on there is some one—that striped face—who knows a great deal; ask him.",

As soon as it was dark, the man called the chiefs and old men to his lodge, and his wife taught them the song that she had heard. They prayed too, as the stone had said should be done. Before long they heard far off a noise coming. It was the tramp of a great herd of buffalo. Then they knew that the stone was powerful, and since that time the people have taken care of it and have prayed to it.,

Mere beauty of form and feature will fade indeed, but Mona's beauty lies not altogether in nose or eyes or mouth, but rather in her soul, which compels her face to express its lightest meaning. It is in her expression, which varies with each passing thought, changing from "grave to gay, from lively to severe," as the soul within speaks to it, that her chief charm dwells. She is never quite the same for two minutes running,—which is the surest safeguard against satiety. And as her soul is pure and clean, and her face is truly the index to her mind, all it betrays but endears her to and makes richer him who reads it.,

A long time ago there was a man who had two wives. They were not good women; they did not look after their home nor try to keep things comfortable there. If the man brought in plenty of buffalo cow skins they did not tan them well, and often when he came home at night, hungry and tired after his hunting, he had no food, for these women would be away from the lodge, visiting their relations and having a good time.

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"Nothing on earth shall bring me to say that," says Mona, solemnly. "Nothing!",

"Look at him, under that fern there!" exclaims Mona, in her clear treble, that has always something sweet and plaintive in it. "On your right—no! not on your left. Sure you know your right, don't you?" with a full, but unconscious, touch of scorn. "Hurry! hurry! or he will be gone again. Was there ever such a hateful bird! With his good food in the yard, and his warm house, and his mother crying for him! Ah! there you have him! No!—yes! no! He is gone again!",

"Do not!" says Mona, again, as though fresh words are impossible to her, drawing her breath quickly. Her evident agitation incenses him to the last degree. Opening the drawer impulsively, he gazes at its contents.,

"Then why does he prosecute the poor? We can't live; yet he won't lower the rints," says a sullen voice from the background.